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01. Blood On Blood
02. We Weren't Born to follow
03. You Give Love A Bad Name
04. Born To Be My Baby
05. Lost Highway
06. When We Were Beautiful
07. Superman Tonight
08. Keep the Faith Enfin !!!!!!!
09. We Got It Goin On
10. It's My Life
11. Homebound Train (Richie Vox)
12. Hallelujah
13. Bed of Roses
14. Something for the Pain (Acoustic)
15. Someday I'll be Saturday Night (Acoustic)
16. Work for the Working Man
17. Bad Medicine with Bad Case of Loving You
18. Who Says You Can't Go Home
19. Loves the Only Rule

Encore

20.Thorn In My Side
21.Wanted Dead or Alive
22. Livin on a Prayer

Merci [Vous devez être inscrit et connecté pour voir cette image]

J'étais dessus au cas où [Vous devez être inscrit et connecté pour voir cette image]

Première apparition de Keep The Faith sinon on voit un peu comment sont articulées les set list de la tournée améicaine.

Merci, j'aime bcp. C'est un beau panachage
Puis, à l'ouverture de la tournée, il ne faut pas tp désarçonner les critiques d'emblée avec les Get Ready etc ...
Car voici une bonne review du concert. A part Jon qui éclipse le reste du groupe et Dashboard Confessionnal qui est loin de faire l'unanimité pour ouvrir les concerts, c'est du tt bon :

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Citation:

Review: Bon Jovi in San Jose Posted by Jim Harrington on February 23rd, 2010 at 2:31 am By Jim Harrington No rocker has aged better than Jon Bon Jovi. That point is to be taken literally, first and foremost, given that the 47-year-old vocalist looked a good 15 years younger as he led his band Bon Jovi in concert at the HP Pavilion on Monday night. He also exhibited a type of sustained energy through his group’s two-hour-plus set in San Jose that would make most performers half his age jealous. Yet, that comment also works figuratively, in regard to the band’s music. The fans that came out to this stop on Bon Jovi’s newly launched “The Circle” tour – which also touches down on March 2 at Sacramento’s Arco Arena – certainly didn’t act like they were listening to a group that recorded its first hit single (“Runaway”) nearly 30 years ago. Instead, they treated Bon Jovi like it’s still a relevant group, and greeted the new material, off of last year’s “The Circle,” with nearly the same gusto that they showed the old radio favorites. Just ask Billy Joel, Elton John, KISS or any other act with a career spanning 25-plus years what a rarity that is in the classic-rock world. This atypical situation is a direct result of Jon Bon Jovi’s unswerving commitment to stay off the nostalgia circuit. That’s not to say fans won’t get a big dose of nostalgia at a Bon Jovi show – that comes in spades, thanks to the inclusion of such oldies as “Livin’ On a Prayer” and “Bad Medicine” – but it’s part of a mix that is more focused on displaying what the band has been up to recently. What has the band been up to recently? Well, since it’s Bon Jovi we’re talking about, the answer, as always, is plenty. The HP date nicely illustrated the band’s ongoing effort to hone a more mature – some would say, more age-appropriate – country-rock sound. The new material sounds more like something one would hear on a John Mellencamp record than from one of Bon Jovi’s classic ‘80s pop-rock albums, which explains why the group has been able to cultivate a “New Country” audience to go along with its existing classic-rock crowd. Some might knock the group’s country material – and that’s easy to do, since it can come across like Rascal Flatts on a bad night – but at least Bon Jovi is making an effort to grow as a musical entity. And, for sure, there is still plenty of room for growth. While a far better outing than the group’s jumbled mess of a show held at the same venue back in April 2008, Monday’s gig did showcase all the things that keep Bon Jovi from being one of the better live acts in the business. The short list would include a shockingly thin song book of memorable tunes, less-than-spectacular musicianship and rather clownish behavior from the lead singer. That’s just one man’s opinion, mind you, and one probably not shared by the fans that made Bon Jovi’s previous tour, “Lost Highway,” the highest-grossing trek of 2008, or the patrons that filled HP to near capacity on Monday night. Following a poorly received opening set by indie/emo act Dashboard Confessional – truly the wrong choice to kick start an evening of Bon Jovi – the headliners took the stage and opened the show with a rather weak double-shot of the oldie “Blood on Blood” (from 1988’s “New Jersey”) and the new album’s “We Weren’t Born to Follow.” They did recover nicely, however, with a powerful one-two combination of the classic hits “Bad Name” and “Born to be My Baby.” The crowd – which spanned a huge age range, from grade-school kids to some senior citizens – was appreciative throughout the set. Whatever musical direction Jon roamed, from the country-tinged anthem “Lost Highway” to the overly sentimental power ballad “When We Were Beautiful,” the fans trailed right along. Few play to an audience like Jon Bon Jovi does. Yet, he adds so many theatrical flourishes – from hugging his guitar to show his sincerity to holding his outstretched arm into the crowd to, well, show his sincerity – that very little of what he does comes across as sincere. He sings every song like he’s auditioning for a spot on Broadway, and he’s so busy acting the part of the rock star that he often seems to forget what it means to be one. (Jon should watch a tape of his fellow New Jersey native, Bruce Springsteen, if he wants to understand the difference.) Despite that knock, Jon Bon Jovi is Bon Jovi, at least on the live stage. His fellow band members do very little to draw the focus away from the front man in concert. That’s even true of his best-known sideman, overrated guitarist Richie Sambora, who showed the same degree of depth and versatility with his fret work that his former wife, Heather Locklear, has displayed in her acting career. All of those negatives, however, can’t outweigh the one main positive: Bon Jovi is one of the few acts that manage to come across as both timely and timeless. It was the latter that seemed most important at the close of the show, as the New Jersey rockers completed “The Circle” with a high-octane encore of “Wanted Dead or Alive” and “Livin’ on a Prayer.” In all, the show featured just enough greatest-hits material. Yet, the evening still seemed more about the new songs than the old. That’s a balance that probably every classic-rock act would like to strike. The truth is, however, Bon Jovi is one of the few that can actually pull it off. Set list: Blood on Blood We Weren’t Born to Follow Bad Name Born to be My Baby Los Highway When We Were Beautiful Superman Tonight Keep the Faith We got It Going On It’s My Life Homebound Train Hallelujah (Leonard Cohen cover) Bed of Roses Something for the Pain Someday I’ll Be Saturday Night Work for the Working Man Bad Medicine/Bad Case of Loving You (Robert Palmer cover) Who Says You Can’t Go Home Love’s the Only Rule Thorn in My Side Encore: Wanted Dead or Alive Livin’ on a Prayer Bon Jovi in concert What: 7:30 p.m. March 2 Where: Arco Arena, Sacramento Tickets: $39.50-$125; [Vous devez être inscrit et connecté pour voir ce lien]

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Citation:

Concert review: Ageless Bon Jovi delivers fresh, but flawed, show at HP Pavilion By Jim Harrington Oakland Tribune Posted: 02/23/2010 10:35:09 AM PST Updated: 02/23/2010 10:57:00 AM PST No rocker has aged better than Jon Bon Jovi. First and foremost, the 47-year-old singer looked a good 15 years younger as he led his band Bon Jovi in concert at the HP Pavilion on Monday night. He also exhibited a type of sustained energy through his group's two-hour-plus set that would make most performers half his age jealous. Yet the ageless factor also applies to the band's music. The fans who came out to this stop on Bon Jovi's newly launched "The Circle" tour — which comes to Sacramento's Arco Arena on March 2 — certainly didn't act like they were listening to a group that recorded its first hit single ("Runaway") nearly 30 years ago. Instead, they treated Bon Jovi like it's still a relevant group, and greeted the band's new material, off last year's "The Circle," with nearly the same gusto they showed the old radio favorites. Just ask Billy Joel, Elton John, KISS or any other classic rock act with a career spanning 25-plus years what a rarity that is. This is a direct result of Jon Bon Jovi's unswerving commitment to stay off the nostalgia circuit, and probably an indirect result of his many side jobs, including actor, political activist and supporter of numerous charities. Sure, fans get a dose of nostalgia at a Bon Jovi show, thanks to such oldies as "Livin' On a Prayer" and "Bad Medicine," but it's only part of a mix that is more focused on what the band has been up to recently. So what has the band been up to recently? Plenty. The HP date nicely illustrated the band's ongoing effort to hone a more mature — some would say, age-appropriate — country-rock sound. The new material sounds more like something one would hear on a John Mellencamp record than the songs from one of Bon Jovi's classic '80s pop-rock albums, which explains why the group has been able to cultivate a "New Country" audience to go along with its existing classic-rock crowd. Some might knock the group's country material — and that's easy to do, since it can come across like Rascal Flatts on a bad night — but at least the band is trying to grow as a musical entity. And there is plenty of room for growth. While Monday marked a far better outing than the group's jumbled mess of a show at the same venue in April 2008, Monday's gig did showcase all the things that keep Bon Jovi from being one of the better live acts in the business. The shortlist would include a shockingly thin song book of memorable tunes, less-than-spectacular musicianship and the occasionally clownish behavior from the lead singer. That's just one man's opinion, mind you, and one probably not shared by the fans that made Bon Jovi's previous tour, "Lost Highway," the highest-grossing concert trek of 2008, or the patrons that filled HP to near capacity on Monday night. Following a poorly received set by emo act Dashboard Confessional — truly the wrong choice for an opening act — the headliners took the stage and opened the show with a rather weak double-shot of the oldie "Blood on Blood" (from 1988's "New Jersey") and the new album's "We Weren't Born to Follow." They did recover nicely, however, with a powerful one-two combination of the classic hits "Bad Name" and "Born to be My Baby." The crowd, which ranged from grade-school kids to senior citizens, was appreciative throughout the set. Whatever musical direction Jon roamed, from the country-tinged anthem "Lost Highway" to the overly sentimental power ballad "When We Were Beautiful," the fans trailed right along. And few performers play to an audience like Jon Bon Jovi does. He adds so many theatrical flourishes —from hugging his guitar to show his sincerity to holding his outstretched arm into the crowd to, well, show his sincerity — that very little of what he does comes across as really sincere. He sings like he's auditioning for a spot on Broadway, and he's so busy acting the part of the rock star that he often seems to forget what it means to be one. This is accentuated by the fact that Bon Jovi's band members do very little to draw the focus away him. That's even true of his best-known sideman, overrated guitarist Richie Sambora, who showed as much degree of depth and versatility with his fretwork that his former wife, Heather Locklear, has displayed in her acting career. All of those negatives, however, can't outweigh the one main positive: Bon Jovi is one of the few acts that manages to come across as both timely and timeless. For its encore, the New Jersey rockers delivered "Wanted Dead or Alive" and "Livin' on a Prayer," capping a show that featured just enough greatest-hits material, yet still seemed more about the new songs than the old. Bon Jovi is one of the few acts that can actually pull it off.

Le journaliste dit qu'aucun groupe n'a aussi bien vieilli que Bon Jovi et que notre Jon agé de 47 ans (et qui en parait 15 de moins) a développé une telle energie pendant plus de 2 heures de concert à faire pâlir de jalousie d'autres artistes deux fois plus jeune.

Le public a bien réagit au concert et on traité le groupe comme un groupe essentiel de notre époque et c'est rare pour un groupe qui existe depuis plus de 25 ans.

Ce succès réside dans le chois du groupe a éviter de rester dans le nostalgique, même si les fans auront une bonne dose de chansons de la première époque avec des vieux morceaux classiques tels que "Prayer" et "Bad Medicine".

Le concert de San José est une preuve de l'énorme travail que fait Bon Jovi et que le groupe est plus mature et plus centré sur un son plus rock-country; et c'est pourquoi le stype et le public touché est beaucoup plus varié que simplement des rockers.

Le journaliste compare ensuite le show de lundi à un concert d'Avril 2008 ou le groupe n'avait pas fait sensation mais selon lui le show de lundi a réuni tout ce qui empêcher Bon Jovi d'être une référence sur scène à cause selon lui un répertoire de chanson très maigre [ ] des musiciens peu spectaculaire [ ] et un comportement de clown de la part de Jon [ ]. Ceci est bien entendu l'avis d'un seul homme qui ne sera certainement pas partagé par les fans du groupe qui ont fait de la tournée LH la tournée la plus productive (en terme d'argent) . Ni les organisateurs de la salle de San José.

il parle ensuite du la première partie (indie/emo act Dashboard Confessional) qui n'était pas le meilleur choix celon lui pour une première partie car mal reçu par le public, Le groupe est ensuite arrivé sur scène avec deux morceaux plutôt faiblares - Blood on Blood et WWBF mais se sont bien repris avec "Bad Name" et "Born 2 Be My Baby"

Le public, très varié de l'école primaire aux séniors- a apprécié le show tout du long et on repris tous les titres de Lost Highway à WWWB.

[accrochez-vous ça casse ensuite...]

Peu de groupe arrive à accrocher leur public comme le fait Bon Jovi. Mais cela est fait avec beaucoup de panaches scéniques...jon fait des calins à sa guitare pour montrer sa sincérité, tend sa main vers le public pour et bien montrer sa sincérité. Il chante chaque chanson comme s'il auditionnait pour Broadway et il est tellement préoccupé à jouer le rôle de la rock star qu'il semble souvent oublié ce que c'est d'être une vraie rock star [ ] et d'ajouter que Jon devrait regarder quelques vidéos en concerts de Bruce Springsteen pour comprendre la différence.

En dépit de ce mauvais opinion (et bien au moins il le reconnait!!) Jon Bon Jovi et Bon Jovi (euh??) . Les autres musiciens ne font pas grand chose pour attirer l'attention vers eux et loin de Jon. C'est même vrai de la part de Richie Sambora qui a montré le même degré de profondeur et de versatilité que ne l'a montré son ex femme Heather Locklear [qu'est ce qu'elle vient foutre ici, faudra me l'expliquer!!) dans sa carrière d'actrice.

Tous ses points négatifs ne pourront pas enlevé au groupe, un point positive essentiel [a ben quand même] est que Bon Jovi est un groupe intemporel et c'est la dernière partie du concert qui l'a prouvé avec un rappel avec un Wanted Dead Or Alive et Livin' On A Prayer haut dans les gammes.

Finalement, le show présente suffisamment de grands hits. Cependant la soirée à plus été centré sur les nouveaux morceaux que les anciens [ Ben c'est The Cirlce Tour, non??!!!] . c'est une balance que chaque groupe de Rock aimerait arriver à faire et la vérité est que Bon Jovi est un de ceux à qui on ne peux pas l'enlever.

Voila en gros ce que ce journaliste a à dire du groupe et du concert...

punaise l'article pas vraiment sympa pour le groupe

J'avais pas vu la trad, merci bcp !!!
Un répertoire assez maigre tsss

c'est pas cool ce journaliste doit pas aimer les bj