1. Happy Now
2. We Weren't Born To Follow
3. Bad Name
4. Whole Lot Of Leaving Goin On
5. Born To Be My Baby
6. Lost Highway
7. When We Were Beautiful
8. Superman Tonight
9. We Got It Going On
10. Bad Medicine/Roadhouse Blues/Shout
11. It's my Life
12. Lay Your Hands On Me - RS
13. Hallelujah
14. I'll be there for you (J&R)
15. Love for Sale
16. Something for the Pain
17. Someday I'll Be Saturday Night
18. Keep the Faith
19. Work for the Working Man
20. Who Says
21. Love's The Only Rule

Encore
22. Runaway
23. Wanted
24. Prayer

Merci, c'est pilote automatique du genre [Vous devez être inscrit et connecté pour voir cette image]



Sinon, Jon avec je ne sais qui

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L'info principale, comme l'a souligné Jon ds l'interview radio, c'est qu'ils ont bien tourné WWWB en live pour en faire le clip du prochain single. When We Were Beautiful en prochain single donc
Sinon, Jon s'égosille sur I'll Be There For You ms le groupe restitue tjrs aussi bien les anciens hits

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Citation:

Concert review: Bon Jovi has lost its snarl, but that's not a problem 12:24 PM CDT on Sunday, April 11, 2010 By MIKE DANIEL / Special Contributor to The Dallas Morning News Bon Jovi has lost its snarl. But that's not really a problem. It's by design, as demonstrated by the band's polished-to-a-mirror-shine performance Saturday to a long-sold-out American Airlines Center. Arguably the U.S.'s most consistent rock act of the last quarter-century, Bon Jovi is two months into its largest world tour in 20-plus years – "The Circle Tour," so named officially after its latest CD and, perhaps, unofficially for its promise to perform some of its oldest songs to complete a cycle of sorts. With one or two exceptions (most notably "Runaway," Bon Jovi's first hit in 1984 and the three-song encore's cracking opener), the older sounded much the same as the recent – not a bad trait considering the 26-song, 145-minute set's pristine sound and the act's deliberate delivery of it. Age has understandably tempered the band; David Bryan's keys are more prominent while Richie Sambora's guitar is inched back, even during his tastefully flamboyant solos. Jon Bon Jovi, 48, looks half his age and still gestures with the drama and romanticism of a conductor or Shakespearean actor. His voice has lost little tonality or effective range, as shown by skin-tingling turns through Leonard Cohen's "Hallelujah" and his charge's own "I'll Be There for You." But Bon Jovi's a stately heartthrob now, unconcerned with exorbitant bombast in favor of solidifying his niche as blue-collar rock's aw-shucks golden boy. For instance, the half-circular stage was small for an arena setup; the money plainly went to the video monitors – one could snap to horizontal and be danced upon, while another could physically split into 64 separate screens above the band. But even the halcyon-days hits sounded more mature. "Wanted Dead or Alive" had its gritty tension neutered; "Lay Your Hands on Me" was sung by Sambora with an overtness bordering on contrived machismo; "Love for Sale" was plain despite novelty (Bryan on an accordion? Whoa); "Bad Medicine" became an unfortunate medley with two even older covers – the Doors' "Roadhouse Blues" and the Temptations' "Shout." That Bon Jovi chose this night to film a new video (for the ballad "When We Were Beautiful," the next single from The Circle) was cool, but not novel. It could've been done in any city. When the snarl's faded, a good band – and Bon Jovi's very good – can repeat at will what remains, both old and new.

Allo,

J'ai écouté les chansons de ce soir en direct nous avons eu droit à 10 chansons. Je me revoyais au spectacle il y a 3 semaines à Montréal.

Il faut qu'il revienne à Montréal. C'est incroyable ce spectacles, les gars sont bons et talentueux. J'en veux encore.

Alors bonne nuit je vais essayer de dormir.


Rosy

Photos, extrait du concert D'une personne avec place VIP:

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Merci ...

Espérons aussi que Jon ne brise pas "son" portrait de Dorian Gray

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